When a virus makes everyone’s internet history public, Murph finds his joke shop swarmed with customers seeking a disguise to escape the penetrating gaze of facial recognition software. Murph takes on a young assistant to avoid dealing with a public he blames on the death of his wife, but when Alex Marie’s band ‘The Noses’ become overnight idols of a new subculture, the intrusions into Murph’s sealed existence continue. Told in two interleaving narratives, the characters are ultimately forced to choose between forgiveness or shame, between the future or the past.